Skip to content
Tejella

Weave explorer

Four straws look alike in a photograph. They do not behave alike.

So rather than ask you to compare pictures, we compare three physical properties. Move a slider up and the straws that cannot meet it drop out and say why. Nothing here describes what a hat does for you — only what the material does.

Compare the five straws

1 / 5

How much daylight passes through the braid.

Open braidAlmost solid
1 / 5

Whether it folds or rolls, or holds one shape.

Holds shapeFolds and rolls
1 / 5

How it stands up to cracking and reshaping.

Handle gentlyTakes handling

5 of 5 straws still fit. Drag any slider and the ones that drop out will tell you why.

Weave tightness here means one thing only: how much daylight passes through the braid. It is a description of the material, not a claim about what the hat does for you.

  • Raffia braid photographed backlit, showing how much light passes through the weave

    Raffia

    16 hats

    Open braid — daylight comes through in wide, irregular gaps.

    See the raffia hats
  • Paper straw braid photographed backlit, showing how much light passes through the weave

    Paper straw

    8 hats

    Even braid — thin regular slivers of light between the twists.

    See the paper hats
  • Wheat straw braid photographed backlit, showing how much light passes through the weave

    Wheat straw

    5 hats

    Tight braid — light shows only as a fine line along each seam.

    See the wheat hats
  • Rye straw braid photographed backlit, showing how much light passes through the weave

    Rye straw

    2 hats

    Tight braid — a darker straw, so the seams read as narrow bright lines.

    See the rye hats
  • Toquilla-style fine weave braid photographed backlit, showing how much light passes through the weave

    Toquilla-style fine weave

    9 hats

    Very tight weave — only pinpricks of light get through.

    See the fine weave hats
Four straw swatches in a row photographed backlit, from a very open coarse weave on the left to an extremely fine dense weave on the right; the light coming through visibly decreases across the row.

The ladder

Same light.
Four braids.

One lamp behind four swatches, photographed in a single frame so the exposure is identical across all four. The difference you can see is the difference in the weave — not a difference in how we lit it.

Every product page carries the same photograph for its own straw, and a sentence describing what you are looking at. We do not turn it into a score, because a score would be our conclusion rather than your observation.

The five straws, in their own words.

Raffia braid photographed backlit

Raffia

Light to medium

Open braid — daylight comes through in wide, irregular gaps. Broad matte ribbons, soft in the hand, quiet when handled.

Tightness
Flexibility
Durability
Hats in raffia
Paper straw braid photographed backlit

Paper straw

Lightest

Even braid — thin regular slivers of light between the twists. Machine-even twists, crisp, the lightest of the five.

Tightness
Flexibility
Durability
Hats in paper
Wheat straw braid photographed backlit

Wheat straw

Medium

Tight braid — light shows only as a fine line along each seam. Round glossy stalks with a faint grassy smell on a warm day.

Tightness
Flexibility
Durability
Hats in wheat
Rye straw braid photographed backlit

Rye straw

Heaviest

Tight braid — a darker straw, so the seams read as narrow bright lines. Coarser and stiffer than wheat, amber going to brown.

Tightness
Flexibility
Durability
Hats in rye
Toquilla-style fine weave braid photographed backlit

Toquilla-style fine weave

Light

Very tight weave — only pinpricks of light get through. Hair-thin fibres, silky, closer to cloth than to braid.

Tightness
Flexibility
Durability
Hats in fine weave

Why nothing scores
five across the board.

A tight weave needs stalks that sit close together, and stalks that sit close together do not bend. A braid that folds has to have give in it, and give means gaps. The straw that survives the most handling is also the stiffest one in the box.

None of that is a compromise we chose. It is what the plant does.

Two straw swatches: the left folded over on itself to show flexibility, the right held rigid with a hairline crack where it was forced.